The iconic film legend and Oscar-winning director Clint Eastwood on his life, his musical tastes, his busy schedule and his new Frankie Valli biopic
At the age of 84, Clint Eastwood has become something of a national treasure in America, where he appeared in his first movie nearly 60 years ago.
He has been in 66 films, produced 40, directed 37 and won five Oscars. He has been equally active in his private life, having fathered seven children, aged from 17 to 50, by five women.
His 17-year marriage to Dina Ruiz, 35 years his junior, ended last year and he has since been linked to a couple of women. His latest girlfriend is said to be Christina Sandera, who works at Clint’s Mission Ranch Hotel in California.
He’s just finished shooting American Sniper in which a Navy SEAL, played by Bradley Cooper, recounts his career.
What led to you directing what is essentially a 1960s pop musical?
Quite simply I was asked if I was interested in doing it. I hadn’t seen the play so I went and saw it three times and said I’d love to do the film. The play had been in New York for nine years and in London for five or six, and I thought it had a good international feel to it.
What did you know about Frankie Valli and the Four Seasons, and the music of the early 1960s, before you saw the play?
I was too much of a jazz freak to have been into their music and the rock era was not my favourite. I wasn’t a big fan of the music that came out of the 60s, but I think the Four Seasons did some great stuff. Can’t Take My Eyes Off You was probably the closest thing to a classic song that came out of the 50s and 60s.
Music has played a big part in many of your films, and more so in this than nearly any other that you have made.
I don’t really think of it as a musical. What was fun for me was that it’s about musicians, much as Bird, the movie I did in 1988 about Charlie Parker was about a jazz player. The Four Seasons had all these hit songs but they were just guys from the neighbourhood – a place where, if you were a singer, you were looked down upon as strange, unless you were Sinatra.
Feel-good: Jersey Boys
What are your memories of the 1960s as an era?
There were a lot of changes going on but I was a little slow so I didn’t catch on. When everybody else was experimenting with drugs, I was drinking beer. I was still liking Charlie Parker and jazz. Along the way I developed a love for country music, where they told a story and you could actually understand the lyrics.
Was it a good time for you?
Yeah, it was a good time. I was working in Rome and in London. It was also an interesting period culturally. But I was brought up during the 40s and 50s when you had great singers like Sinatra, Nat King Cole and Billy Eckstine, plus the women such as Ella Fitzgerald, Sarah Vaughan and Peggy Lee.
Apart from Christopher Walken, the Jersey Boys has pretty much an unknown cast. How did you manage to find them?
Most of them had been working in the play for years so I figured why not go and take advantage of them having that experience? I have always believed that if a film works, it has to work as an ensemble and you can have the biggest names in the world but it doesn’t make any difference if the picture doesn’t work.
What made you decide to have a Hitchcock moment – giving yourself a brief cameo appearance?
It was suggested that I join in on a production number, dancing down the street to run during the end credits, but I said, “No. A man must know his limitations.” Then one of the actors suggested that during a party scene he could be watching me in the old TV series Rawhide, so we did that. That was my way of having a Hitchcock moment without actually having to do anything.
Rex
Famous role: Clint as Dirty Harry
Do you have any other projects lined up after American Sniper?
I have a couple I’ve been looking at but I’m not going to do anything for the rest of this year. I’ve done two in a row and I’m just going to stand back and smell the roses a little bit. But if a good project popped up I’d probably change my mind.
How are you enjoying single life?
My single life? I’ve been working so much I haven’t had a chance to be fancy in any way. I’ve done two pictures in a row and just finished one a couple of nights ago.
What’s your secret for keeping so fit and youthful?
I believe in plenty of sleep. What keeps me going is my interest in the work I’m doing. My secret is never letting the old man in. I keep busy and I have done since Rawhide in 1959.
What’s important to you?
Family and friends, in that order. I’m always worried about getting back to family and friends again. You are always worried about their situation and hoping they have as nice a life as you are having.
Peaches Geldof, the British television personality and daughter of singer and activist Bob Geldof, reportedly died of a heroin overdose. (Ian Gavan/Getty Images)
Peaches Geldof, the 25-year-old daughter of rocker Bob Geld of and a British television personality in her own right, died of a heroin overdose, according to the Times of London. The newspaper reports that Geldof's overdose will be revealed at an inquest today.
The Times also reports that Peaches Geldof had become increasingly obsessed with the death of her mother, Paula Yates, who died from a heroin overdose in 2000 when Peaches was 11. Yates and Bob Geldof had three daughters together before Yates left her husband for INXS frontman Michael Hutchence in 1996. Hutchence committed suicide in 1997.
Peaches Geldof was found dead in her Kent home while caring for her nearly year-old son earlier this month. She also has a 2-year-old with husband Thomas Cohen.
"My beloved wife Peaches was adored by myself and her two sons," Cohen said in a statement following her death. "I shall bring them up with their mother in their hearts everyday. We shall love her forever."
About eight months have passed since the last episode, leaving us in 1923 — just in time for Rose’s presentation and ball. The family and most of the staff goes down to London to do the thing properly. Even Cora’s family from America is coming to celebrate, which means that Shirley MacLaine is back as her mother Martha Levinson, and Paul Giamatti (!) is introduced as her brother Harold.
Downton also got a bit of a James Bond twist — well, as 007 as Downton goes, which is not very far, ultimately — in honor of the season finale, complete with break-ins, forgeries and royal scandals.
Spoilers below for the Season 4 finale of Downton Abbey.
The caper starts when Rose goes to the Embassy Club in London with her friend Madeleine Allsop. There, they run into Madeleine’s father, Lord Aysgarth, who was with the Prince of Wales and his mistress, Freda Dudley Ward. The Prince remembers Rose’s father, Shrimpie, from a visit to India, so they all get along well, and Rose invites the whole crew to all her debutante events.
At the first of many parties, the card sharp Terence Sampson shows up and invites himself to the after-party trip to the Club. The ladies are giggling about a letter Freda has in her purse; Rose makes a joke about the mysterious person who sent it. When Sampson is left to watch the bags while they dance, he steals the letter.
Later, at the palace, when Rose is presented to the King and Queen, she runs into Freda, who tells her that the letter is missing — and, of course, it’s a love letter from the Prince. If the press get hold of it, it could become a major scandal. Rose deduces it must have been Sampson, and she tells Robert, who’s concerned that the Crawley family will be responsible for bringing shame to the royal family. Accordingly, he hatches a plan.
Using a forger Bates met in prison — who is actually just Bates himself, but they don’t know that — they fake a letter to the porter at Sampson’s building, saying he’s ill and they have to get inside to get some things for him. Then, Robert invites Sampson and a whole crew over to play cards. While the poker game is going on, Rose and Mary and Charles Blake use the note to get into his (depressingly shoddy) flat to look for the letter. Though they have no luck, Bates thinks to check in Sampson’s overcoat when he’s helping the guests with their things. He finds the letter and gives it to Robert, so Rose can return it to Freda.
At Rose’s ball, the Prince of Wales surprises everyone by coming to dance with her, making the party a huge success. Freda says that she told him he owes a lot to Rose, but not why exactly. Everyone comes out ahead, except for Sampson. (Also, that’s one heck of a party.)
(MORE: Downton Abbey and Rape: Anna’s Excruciating Fridging Problem)
The other main plot points go to Edith, Mary and the Levinsons.
Rose’s friend Madeleine Allsopp and her father Lord Aysgarth have titles but no money, so they have their sights on Harold and Martha Levinson. Though Harold initially offends Madeline by talking about money so openly, he eventually convinces her that she doesn’t have to follow her father’s schemes and she convinces him to be more open to love. There’s no romance between them, but it ends happily for both. Martha, meanwhile, strings Lord Aysgarth along for fun, but then turns down a proposal because she doesn’t care for a title — but she does promise that if he comes to Newport, she’ll find him a rich old widow who does.
Edith has from Geneva but she’s acting weird — and it’s because she’s having second thoughts about allowing her daughter to be adopted. Rosamund tries to encourage her to be confident about it, but Edith pulls the “You wouldn’t know because you’re not a mother” card. She also finds out that Michael got into a fight with some Nazis on his first night in Munich, and she’s concerned he might be dead. If there’s an inheritance, some of it should go to his daughter; Rosamund says that’s okay and to send it anonymously. (Also, he left Edith with power of attorney, so she’s suddenly become editor of his magazine, but that just gets glossed over. Oh well.) By the end of the episode, she’s decided to return to Switzerland for the baby. She’s going ahead with the Mr. Drewe plan: she tells him the baby belongs to a friend of hers who died, he agrees to pretend that she belongs to a friend of his who died, and the Drewes will raise the child. So, next season, another baby at Downton — though, considering the fact that George and Sybie seem to have disappeared, who knows what that will mean.
Also, Mary learns from Tony Gillingham that — though she’s been thinking Charles Blake is an outsider to her world — he actually stands to inherit a large fortune and a title from a distant relative. Unexpected!
And as for the rest of the family:
Sarah Bunting is super pushy with Tom and makes him give her a tour of Downton in the days between when the rest of the family goes down to London and when he leaves for the ball. Thomas sees them upstairs on the floor with the bedrooms and, though nothing actually happened, he tattles to Lord Grantham.
Anna donates Mr. Bates’ old coat to help Russian refugees. In the pocket was his train ticket proving he was in London, not York, the day Green died. Mrs. Hughes tells Mary, but they’re not sure whether to keep it to themselves. After Mr. Bates finds the letter from the Prince, however, she burns the evidence. Bates appears to be in the clear.
Carson is charged with organizing an outing for the staff. All of his suggestions are boring, but eventually they decide to go to the beach. At the beach, Mr. Carson and Mrs. Hughes go wading together and hold hands! Gah! Is this a romance brewing? Is this cute, or disappointing because it implies no platonic male-female friendships? It’s unclear.
Ethan Slade, Harold Levinson’s valet, has a crush on Daisy. He convinces Harold to hire an English cook and he tries to get Daisy to come to New York, but she’s not interested in going…
However, Ivy is! There’s no romance between Ethan and Ivy, but she’s heading off for the New World.
Lord Merton continues to make moves on Isobel; likewise Molesley and Baxter.
Where we stand for next season: Will Mary, whose plot is now very Season 1, choose Evelyn (who conveniently has been out of the country to avoid overwhelming viewers at home) or Tony or Charles? Will Edith’s secret baby stay secret? Will Tom run for office? Will Edith be a good magazine editor? Will Baxter’s secret past, known only by Thomas, be revealed? Will Mr. Carson and Mrs. Hughes totally make out? Will the idea that the old way of life is on the way out be highlighted a mere million times per episode, or a full gazillion?
There’s plenty of time to wonder — as the answers won’t be available for nearly a year.
Dowager Zinger of the Week:
Violet: “Can’t you even offer help without sounding like a trumpeter on the peak of the moral high ground?”
Isobel: “And must you always sound like the sister of Marie Antoinette?”
Violet: “The Queen of Naples was a stalwart figure. I take it as a compliment.”
Isobel: “You take everything as a compliment.”
Violet: “I advise you to do the same. It saves many an awkward moment.”
History Lesson of the Week: Mary suggests that there’ll be another scandal with the Prince of Wales given his character — and she’s right. In 1936, shortly after he became King Edward VIII, he would abdicate power in order to marry Mrs. Wallis Simpson, an American divorcée.
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